The work–life interface of authoritarian and obsessive rhythmic gymnastics coach Marisol is upended upon being ditched by her husband Octavio for younger Raquel.

[2] Juan Antonio Bayona, Belén Atienza [es], Oriol Maymó, and Sandra Hermida took over production duties.

[1] Javier Ocaña of Cinemanía rated the film 2½ out of 5 stars, considering it to be a melodrama, that "could have been unbridled and crazy, if it had more depth inside".

[10] María Bescós of HobbyConsolas gave a 74 points score ('good'), writing that the film manages to make you wonder what is the limit for such a methodical and manipulative character (Rueda's).

[11] Pablo Vázquez of Fotogramas rated the film 3 out of 5 stars, describing it as "a dedicated and intense psychological melodrama that moves between the stylization of the cliché and sequences that ride between the sublime, the kitsch and the bewilderment".