The former was produced by West and Kid Cudi, with co-production from Mike Dean, Jeff Bhasker, and BoogzDaBeast, while additional production was handled by Andrew Dawson, Andy C, and Russell "Love" Crews.
Apart from BoogzDaBeast, the lead and co-producers wrote the song alongside Ty Dolla Sign and Corin Littler, who has the stage name of Mr. Chop and received songwriting credit due to his work being sampled.
Kids See Ghosts and their co-defendants responded three months later, arguing fair use and that there was nothing wrong with the duo's actions, later reaching a settlement with Bobb-Semple in January 2020.
[1] West released his eighth studio album Ye on June 1, 2018, with vocals from Kid Cudi included on the tracks "No Mistakes" and "Ghost Town".
[4] West elaborated, naming the collaborator among "the strongest artists we have living" and admitting that "anything I can do to support, get around, produce, take my hands and chop up I'm with it".
[9] The genres had previously been compared by West in an interview with BBC Radio 1 host Zane Lowe, during which he said of rappers: "We the new rock stars and I'm the biggest of all of them!
2)" was produced by West and Kid Cudi, while co-produced by Mike Dean, Jeff Bhasker, and BoogzDaBeast, with additional production being handled by Andrew Dawson alongside Andy C and Russell "Love" Crews.
[8] The lead producers and co-producers, with the exception of BoogzDaBeast, co-wrote the track with Ty Dolla Sign and Corin Littler; the latter of the two is known under the stage name of Mr. Chop and was credited as a songwriter due to his recording "Stark" (2008) being sampled.
[10][34] On the day of the album's release, multiple tracks were mislabeled on streaming services as the result of a technical error, though "Freeee (Ghost Town, Pt.
[38] The duo were backed by visuals that featured pulsating bright colors for their performance inside a transparent box, and rapper Tyler, the Creator sang along with the line "I feel freeeee" while in the crowd.
Jack Hamilton of Slate categorized the song as the "most fun and exuberant track" on Kids See Ghosts, labeling it heavily comparable to English musician David Bowie's work because of the "booming walls of vocals, gnashing distortion, and thundering drums".
2)" being "fantastic", hailing it as "gorgeously arranged" like tracks on West's fifth studio album My Beautiful Dark Twisted Fantasy (2010) "with a more spontaneous feel".
[45] Writing for Entertainment Weekly, Chuck Arnold voiced a similar viewpoint; he remarked that the song "is the [same] type of wide-screen soundscape" as the album's tracks, while also stating there is "a liberating rush" from being able to feel "demons being kicked to the curb".
Kornhaber further praised the song for building on "a crunchy funk-rock tune from [...] Mr. Chop", alongside highlighting Ty Dolla Sign's performance and West's vocals that differ from his.
[9] NPR's Sidney Madden wrote Mr. Chop's sampled "soaring electric guitar riff" backs the "declarations of freedom" from West and Kid Cudi on "Freeee (Ghost Town, Pt.
[18] At Pitchfork, Jayson Greene said that while "a buzzing cello pecks at its tendons and the distorted drums smash into bone" on the song, the listener is left with contemplation of "the scary sort of freedom West prizes".
[21] For The Guardian, Dean Van Nguyen assured the song is the "undoubted centrepiece" of Kids See Ghosts, analyzing that it is "an acid-laced trip into bohemian spiritualism".
[16] Van Nguyen admitted that with rap rock crossovers being generally "execrable", he cannot envision West making the song "without Cudi in the booth to summon the spirit of flower power".
[30] For Exclaim!, Riley Wallace stated the song fully shows West and Kid Cudi on "their journeys to bettering themselves" via "the power of positivity" as "the two notoriously creative, controversial and often elusive artists" seem to shed "the demons, shackles and negativity" that troubles them.
He went on to highlight the beat's "brash power" for coming across "like an exclamation point at the end of a very long and digressive sentence", though was unhappy with the intention of it being "seen as a statement" due to it feeling "hard to shake the idea that you're joining in a dubious celebration" because West is unclear about what he's free from.
[59] Court documents obtained by The Blast and TMZ saw him accuse them of exploitation of "the actual voice, words and performance" with lack of authorization or monetary compensation and state that he hadn't been given any of the profit made from "Freeee (Ghost Town, Pt.
[61] The damages sought by Bobb-Semple were reportedly unspecified and a warning was sent out to Kids See Ghosts, Ty Dolla Sign, and the record labels to prevent them from still profiting off his work.
Bobb-Semple's infringement claim was denied by the defendants, with them asserting that the usage of the sample does actually classify as fair use despite not having obtained authorization to use it.
[63][64] They continued, arguing that even if copyright infringement was present, Kids See Ghosts' actions were "innocent and non-willful", and pointed out Bobb-Semple not having provided any facts to support the duo's "alleged willfulness".
Kids See Ghosts made the accusation of Bobb-Semple's original complaint being "barred by the First Amendment to the United States Constitution" and characterized him as misusing copyright.