[3][4] Her architectural work includes projects such as the courtyard at La Tallera in Cuernavaca,[5] while her artistic undertakings can be seen in places such as the Museo Experimental el Eco in the Mexico City or the Victoria & Albert Museum in London.

She has participated as a judge for the Harvard Graduate School of Design, Boston Architectural College and the Monterrey Institute of Technology in Mexico.

[2] One of the most recognized works is "Casa Negra", which was designed in complete freedom by a person who wished to live surrounded by nature.

Her first residential project was influenced by the function of a camera obscura, in the third instalment of a series of short movies about the Mexican architect.

[14] In 2010, her installation at the Museo Experimental el Eco featured moveable cement slabs intended to accommodate lectures and speakers.

In her design she used materials and architectural styles from both Britain and Mexico in order to create a work that would capture the historical and cultural aspects of each country.

[18] In 2019, Escabado sourced rammed earth from the Mixteca region of Oaxaca, Mexico for the bricks in her design of Aesop's Park Slope, Brooklyn location.

In her practice, she wields architecture as a way to create powerful spatial and communal experiences, and she has shown dexterity and sensitivity in her elegant use of material while bringing sincere attention to today’s socioeconomic and ecological issues.

Already through her partnership, Frida has demonstrated her vision to create enthralling galleries that will challenge the embedded hierarchies of our history and chart a more accessible trajectory for the new wing.

In the early stages of the circular construction System_01 built for the exhibition Open House in Geneva, for example, she mentioned the archeological sites of Stonehenge in England and Nabta Playa in Upper Egypt with their megalithic monuments arranged in a circle, but also the tepees of the Great Plains Indians and the huts of lake-dwellers as we have long imagined them on the shores of Swiss lakes.

The three cylindrical wooden elements are differently proportioned in terms of their circumference and height, designed according to mathematical relationships, and largely open, like 360° viewpoints on the park.