The four volumes are now in the Bibliothèque nationale de France in Paris as BnF, MSS Français 2643–6, and contain 110 miniatures of various sizes painted by some of the best artists of the day.
The French text is in two columns and there is extensive marginal decoration of scrolling stems and other plant motifs, with some human and animal figures among them.
It appears that the project was split in half from an early stage, as the scribes who wrote the text and the style of border decoration (also the work of specialists) differ between volumes 1–2 and 3–4.
The large miniatures by the Master of Anthony of Burgundy are especially sophisticated in style, and those by the young Master of the Dresden Prayer Book (above) are notable for "their startlingly ambitious palette and combination of colors, agitated and vibrantly modelled drapery, an apparently inexhaustible range of well-designed figure poses, and challenging placement of figures within complex spaces" (McKendrick).
He appears to have been the second largest purchaser in the period, after Philip himself, of illuminated manuscripts from the best Flemish workshops, then at the peak of their success.