[12] The Times-Picayune wrote that "Washington grins, croons and howls like a soul man while dispensing sleek guitar lines alongside the horn-and-bass-driven Roadmasters.

"[14] The Daily Herald determined that "the milky 'Please Come Back to Me' and 'Close the Door' are deeply felt and joyful ... [the] horn arrangements here always surprise, especially on 'I'm in Love', a pretty and whirling ballad laced in flutes.

"[9] The Independent concluded that the album "finds the supremely tasteful guitar player on strong form on a stew of gospel and soul-drenched ballads and dance tunes.

"[10] The Washington Post deemed the title track "a ceaseless party chant powered by funk guitar chords, drummer Wilbert Arnold's sly syncopations and saxophonist Larry Carter's keening alto.

"[12] OffBeat noted that "Washington's liquid solos—which embrace the jazzy lines of Charlie Christian with the percussive bite of Johnny Guitar Watson—always seem to find hidden nooks woven throughout the Roadmasters backdrop, especially on the instrumental workouts.