[5] Tipton grew up in a small farm town, where she was “one of the weird kids” who spent a lot of time immersed in the world of fiction novels and video games.
[8] According to Pitchfork: "..largely improvised chords and melodies acting secondarily to the constant rush of squelching synthesis underneath.
[5] She has cited SOPHIE as an influence for her sound design, textural elements, experimentation and "Her whole public coming out, and all of the songs related to her trans-ness and identity gave me so much life, as a non-binary, trans girl producer".
[11] She has also cited the formlessness of early Arca music and her interest in nature aesthetics and folklore, ASMR and field recordings[5] Other influences include minimalist composer Steve Reich,[8] 100 gecs, Machine Girl, street sects, Deli Girls, Giant Claw[7] She has cited the Japanese footwork music scene as an influence, “I don’t consider my music footwork, by any stretch, but I feel a strong creative kinship with the Japanese experimental scene that dabbles in footwork.
To me, the music these artists make sounds like pure freedom and play, and that’s the space I like to create from—one of unrestricted expression and emotion.”[11][12]