[1] The horizontal geison runs around the full perimeter of a Greek temple, projecting from the top of the entablature to protect it from the elements and as a decorative feature.
The effect of this decoration was to thematically link the entire Doric entablature (architrave, frieze, and geisa) with a repeating pattern of vertically and horizontally aligned architectural elements.
Use of the hawksbill molding at the top of the projecting segment is common, as is the undercutting of the lower edge to aid in dispersing rainwater.
In order to separate the geison from the frieze visually, there is typically a bed molding aligned with the face of the triglyphs.
A raking geison ran along the top edge of a pediment, on a temple or other structure such as the aedicula of a scaenae frons (theater stage building).