[3] By this time, Wilkins broke out as a composer for film and television with his work on the Rankin/Bass productions Return to Oz (1964) and The Wacky World of Mother Goose (1967).
[6] After several arrangement opportunities, Wilkins was finally tasked with lead composing duties on the Horizons pavilion, after Disney show development head Randy Bright had rejected the Sherman Brothers' compositions for the ride.
[1] Wilkins was soon called back to work on EPCOT after being tasked with composing the soundscapes for the new Living Seas pavilion with Russell Brower.
[9] Wilkins also did all arrangements for the Kitchen Kabaret replacement Food Rocks, and composed all score and audio cues for Test Track in the late 1990s.
[1] Wilkins' final project with Disney was writing arrangements for "it's a small world" at Hong Kong Disneyland, before retiring from the company around 2008.