1630) was a Serbian Orthodox monk and painter, remembered best for his work on the Morača monastery church and the frescoes (wall paintings) inside the Krupa monastery church.
Mitrofanović, a monk, had trained at the Hilandar monastery workshop, situated on Mount Athos, before coming to Montenegro where he worked on frescoes in the Morača monastery.
Its restoration marked the symbolic beginning of the renaissance of true artistic activity in the territories subordinate to prikazes of the Serbian Patriarchate of Peć.
The major part of the early 17th-century frescoes in the church is found in the altar and in the space between the cupola.
Retaining the old subjects and respecting the preceding compositional solutions, Mitrofanović tended to approach the artistic attitude of master painter John's from the 14th century retaining at the same time his own warmer coloring.