Additionally, Santos was honored by the Filipino Academy of Movie Arts and Sciences (FAMAS) with three awards for his exceptional editing contributions to the films ''"Kalibre 45"'' (1957), ''"Cavalry Command"'' (1963), and ''"Scout Rangers"'' (1964).
Over the years, his work would continue to garner recognition, leading to further opportunities in both editing and other key roles in the Filipino film industry.
The film is based on a story written by Pablo S. Gomez, and it centers on themes of love, morality, and the complexities of human relationships.
Known for his masterful direction in Filipino cinema, Gerry de Leon brought his signature storytelling style to the film, often weaving deep psychological themes into his works.
Over the course of his career as a house editor at Premiere Productions, he edited an average of one feature film every month, a testament to his expertise and efficiency.
Santos’ editing style contributed significantly to the pacing, tone, and emotional impact of the films he worked on, helping to elevate the stories and performances of the actors.
His work spanned across a wide variety of genres, and his expertise in editing was instrumental in shaping the final outcome of many iconic films from the era.
This allowed him to work closely with directors, producers, and other key members of the production team, contributing greatly to the success of countless films in the Filipino cinema landscape.
Santos played a significant role in editing these films, which were often produced on tight schedules and budgets but still managed to capture audiences with their unique and gritty styles.
His contributions helped shape the final look and pacing of a wide range of films that became cult classics in the exploitation, action, and sci-fi genres.
His input on the Board helped shape key policies, such as promoting the recognition of excellence in the industry, encouraging more local productions, and fostering a better understanding of the role of editors in the filmmaking process.
Overall, his leadership within these organizations helped to raise the profile of the Filipino film industry, securing his legacy as a pivotal figure who made lasting contributions to its growth and recognition.
This involvement helped him stay connected to the Filipino-Canadian community and allowed him to maintain a presence in the entertainment industry, even after stepping away from his earlier work in film editing.