This opportunity, combined with her desire to explore new methods of artistic expression, influenced her to create paintings which can trace their origins to early twentieth-century art.
[1] In 1975, the year of her first solo exhibition, she founded an art education center, Taller de Dibuix i Pintura, in Barcelona.
Her primary subject was the scenery of Empordà in northeastern Spain, but other locations in Spain (Majorca, Granada, Cap de Creus, Cadaqués, Castelló d'Empúries, El Port de la Selva, and Peralada), Italy (Tuscany), and Southern France were also depicted in her landscapes.
Her works in this important series, comparing full and empty, present and absent, living and dead, symbolically allude to the passage of time, and the separation between the spiritual and the worldly.
For example, some of her favorite subjects to paint, tables, represent more than merely furniture; they are symbolic of the unique and transient nature of human life.
[8] Starting in 1988, she has had frequent solo and group exhibitions at Barcelona's Sala Parés, one of the most prominent and highly regarded galleries in the city.