His father, Donald Wexler FAIA, is a noted mid-century modern architect and innovator of pre-fab steel housing design.
Wexler also created images for Michael Jackson, KISS, Yes, Kansas, Whitesnake, The Black Crowes, Boston, Steve Miller Band, Peter Frampton, Bob Weir, Chick Corea, Herbie Hancock, Heaven and Earth[6] and many others.
Wexler was invited to lecture about album cover work at the Rock and Roll Hall of Fame and Museum along with designer John Van Hamersveld in June 2003.
Wexler's signature style of "improbable realities" attracted international commissions from companies including Pioneer Electronics, Acura, Sony, Adobe Systems, Qwest Communications, Microsoft, Intel, Coca-Cola, Pepsi, POM Wonderful, Fiji Water, Bombardier, Paggio, Jeep, Toyota, Yamaha and Warner Bros.
A limited-edition of 1000 case bound books were published with a foreword by Tim Wride, curator of photography, Los Angeles County Museum of Art (LACMA).
Wride states, "Wexler's pictorial constancy as a risk taker and his deftness as a problem solver are the characteristics that distinguish his work and make his images both meaningful and memorable.
"[12] Track 16 Gallery, Bergamot Station, Santa Monica, California (2007)[13] An exhibition of large-scale surrealistic images depicting cows as superheroes and secret agents attempting to defend their species from human consumption.
Photography gallerist, G Ray Hawkins states, "The same way that Yves Tanguy, Max Ernst and Marcel Duchamp created nonsensical narration and thoroughly enjoyed successfully pulling our legs, photographers can now cut and paste their ideas the same way painters cut and paste ideas from their imagination to canvas, all for the purpose of creating a narrative and telling a story.
"[17][18] Foreword by Tim Wride, curator of photography, Los Angeles County Museum of Art (LACMA) Introduction by Beth Luce (reprinted from Photo Media cover story Fall 2004) Self-published case bound monograph, limited edition of 1000.