Greasy Pop Records predominantly signed South Australian artists including Exploding White Mice, Where's the Pope?, Del Webb Explosion and The Mad Turks from Istanbul.
According to I-94 Bar's Patrick Emery, Greasy Pop "was the focus of much of the city’s vibrant music scene, putting out great records ... Much of the Greasy Pop stable was based on the Detroit-via-Birdman thing – it's interesting that while Adelaide continues to share a cultural affinity closer to Melbourne than Sydney, its musical influences arguably owe more to the Sydney and the Birdman sound than the art-school aesthetic of Melbourne".
[2] Late in 1982 The Dagoes disbanded and early in 1983 Thomas formed a "hard-edged, swampy acid-pop" band, The Spikes, which also released its material on Greasy Pop.
[2] In 1985, Greasy Pop issued a compilation album of tracks, An Oasis in a Desert of Noise, by its popular artists: Exploding White Mice, The Mad Turks from Istanbul, The Spikes, Primitive Painters, Dust Collection, Plague, Garden Path, Verge, Ded Nats, On Heat and Primevils.
[5] According to I-94 Bar's Patrick Emery, Greasy Pop "was the focus of much of the city’s vibrant music scene, putting out great records ... Much of the Greasy Pop stable was based on the Detroit-via-Birdman thing – it's interesting that while Adelaide continues to share a cultural affinity closer to Melbourne than Sydney, its musical influences arguably owe more to the Sydney and the Birdman sound than the art-school aesthetic of Melbourne".