[3] She was employed in advertising as a draftswoman for the Hackethal Wire Company in Hanover from 1923 to 1927, and continued afterward to work as a freelance commercial artist.
[3] Her paintings from this period, such as Garden Picture (1928) and Employment Exchange (1929), show the influence of French artists such as Henri Rousseau and Auguste Herbin.
From 1931 to 1932, Jürgens edited the 12-issue run of the magazine Der Wachsbogen, which served as a theoretical organ of the Hanover artists of the New Objectivity movement.
[5] In an essay she published in the magazine, she described the group's artistic approach:One paints a landscape, trees, houses, vehicles, and sees the world in a new way.
[3] In 1951, the Wilhelm Busch Museum in Hanover presented a retrospective exhition of her works.