Creutz was born in Finland and after concluding his studies at the Royal Academy of Turku he received a post in the Privy Council Chancery at Stockholm in 1751.
They were closely allied with Hedvig Charlotta Nordenflycht, and their works were published in common; to their own generation they seemed equal in fame, but posterity has given the palm of genius to Creutz.
[1] His greatest work is contained in the 1762 volume, the idyll of Atis och Camilla; the exquisite little pastoral entitled Daphne was published at the same time, and Gyllenborg was the first to proclaim the supremacy of his friend.
[citation needed] Atis och Camilla was long the most admired poem in the Swedish language; it is written in a spirit of pastoral which is now to some degree faded, but in comparison with most of the other productions of the time it is freshness itself.
Creutz introduced a melody and grace into the Swedish tongue which it lacked before, and he has been styled the last artificer of the language.