Gypsy style

Part of the beauty of the music is founded on the harmonies that the cimbalom and the bass add to the score.

Violin and Cimbalom – The primas playing in the same style at the same time, orchestral leader and soloist.

He is supported by the cimbalom player who beats the rhythm with his small hammers and shapes the harmonies.

Franz Liszt has said of their cooperation: Violin– There doesn’t exist an instrument called “Gypsy violin”.

Players in the style have a preference for violins with a dark tone quality from which they can draw a special sound.

Viola– The viola (called here by its German name Bratsche) plays a typical role in the music of this style.

In slow movements, it takes the two-stringed harmonies from the second violin which then can continue playing second voices.

But a typical Romani band like Tata Mirando leans on its piano, assisted by a (large model) guitar, and creates in this way a highly characteristic sound.

In slow movements, it introduces the style by varying the pitch, sliding to a tone, and using different shades of sound.

The slow doina resembles the blues in jazz and is often improvised with a rubato background of chords.

Slow movements alternate with czardasses; also Cossack songs are played in this article's style.

In the same way, an orchestral violinist and a violin player of this style use the same instrument, but here as well exist great differences.

A Romani violinist taking ample breathing space; small breaks in the development of a melody.

A typical element is playing am Tisch — the players assemble around the table of a particular party and give there a kind of private concert.

Their statements were unambiguous:[6] These include the Gipsy Kings, Taraf de Haïdouks, and Musafir (music band).