General Director,Theater Bremen Hans-Joachim Frey (born 10 June 1965, in Gehrden, Lower Saxony) is a German cultural manager.

After this he started at the University of Music and Theatre in Hamburg trained as an opera singer, alternating between the voice types of tenor and baritone.

[3] By the end of 1989 he started a collaboration with the Hamburg State Opera as a study project, the operetta Die Fledermaus by Johann Strauss, for which he won numerous sponsors.

In 1990 he received from Götz Friedrich he graduated as a director (musical theater), and three years later the diploma as a cultural manager at Rough Hermann and Peter Ruzicka.

After graduating Frey worked since 1993 as Artistic Director of Operations at the Thuringian State Theatre in Eisenach in 1995 and then held the same position at the Theater Bremen.

There he ran an internationalization policy and the singer gave performances by well-known directors such as Willi Decker, Sebastian Baumgarten, Nemirova, Claus Guth, Nikolaus Lehnhoff, Günter Krämer and Peter Konwitschny.

When in August 2002 as a result of the exceptionally strong flood of the Elbe the Semperoper had to be closed, he initiated during this period together with Harry Kupfer staging Carmen - a version by Georges Bizet in the premises of the Transparent Factory on the edge of the Great Park.

The piece was presented there for a month before the headquarters of the State Opera 9 November 2002 with the ballet Illusions - like Swan Lake, the new season 2002/2003 could be included.

He developed the concept of the 2,500 seater floating stage on the former site of Bremen AG Weser River and in the summer for a week to attend the opera was seen.

Due to political disputes about the musical project Marie Antoinette he asked in August 2009 to the early termination of his contract at Bremen Theatre 31 July 2010.

In 2011 there was a big gala for the 50th anniversary of the twinning between Dresden and St. Petersburg under the baton of Vladimir Jurowski and directed by Frey and organization at the Mikhaylovsky Theatre (en place).

In 1996, he exclaimed as founder and director of the international singing competition Competizione dell 'Opera of the Italian opera to life, which is intended to promote young talent.

According to the verdict of Federal Court of Justice, Naomi Campbell did not have to be paid 55,930 euros for her appearance at the SemperOpernball in connection with the awarding of the St. Georgs Order 2015.