Nearly all of the Baim titles released after 1957 are in colour using 'Eastman-color' film stock and were produced for distribution by United Artists in the UK.
Baim was keen to use wide screen and the paper archive shows he rented 'Camera-scope' lenses from Adelphi Films in the mid 1950s.
In 1976 Baim became Chief Barker of the Variety Club of Great Britain having been a board member and supporter for the previous ten years.
The film features Professor Low, who shows how to make "home made" explosives for use in "magic tricks" and also shows a very early domestic microwave oven and other household labour-saving gadgets for the home, accompanied by the unique Harold Baim script.
In November 2013 The Media Archive for Central England (MACE) discovered a 16mm print of the "lost" Baim black and white film about magic and magicians, "Say Abracadabra".
In June 2015 the 1965 film "The Mood Man" was also transferred from the original 35mm negative to HD files by Encore at 142 Wardour Street in London.
Baim wrote the scripts which were recorded by well known actors and broadcasters of the period including the voice-over talents of Valentine Dyall, David Gell, Peter Dimmock, Terry Wogan, Ed Bishop, Franklin Engelmann, Kenneth MacLeod and Nicholas Parsons.
Wherever he went from Alsace to Aberdeen, (alliteration was a well-used device in the Baim formula) he took the same consistent approach in introducing his subjects to the audience.
Then he'd record the old town, educate the audience with a bit of history and then contrast this with new "sophisticated" office blocks and shopping centres.
Not everyone in the industry was a fan of Baim and he was attacked in publications, notably in a slim volume entitled "A Long Look at Short Films" published in 1966.
In November of that year Baim took part in a BBC television programme entitled "The Look of the Week" where he robustly defended his work.
Winner gained his first Associate Producer credit on Floating Fortress concerning life on aircraft carrier HMS Victorious.
This is one of the few Baim films in which actors speak and is one of a small number of surviving titles shot in black and white.
Also amongst the Winner titles (where he can also be glimpsed as an airline passenger at the start of the film) is the feature-length musical The Cool Mikado starring Frankie Howerd and Tommy Cooper based on the comic opera by Gilbert and Sullivan.
The Baim short films were originally created for the British cinema and mainly made for distribution with United Artists features enabling the chain to meet legal requirements for the minimum number of UK-made productions shown.