Heaven Can Wait (1978 film)

Heaven Can Wait is a 1978 American sports fantasy comedy-drama movie directed by Warren Beatty and Buck Henry about a young man (played by Beatty) being mistakenly taken to heaven by his guardian angel, and the resulting complications of how this mistake can be undone, given that his earthly body has been cremated.

Joe Pendleton, a backup quarterback for the National Football League's Los Angeles Rams, is looking forward to leading his team to the Super Bowl.

At the same time, he falls in love with Betty Logan, an environmental activist, whom he met when she came to his doorstep to protest the original Leo's corporate policies.

As Tom/Joe is being interviewed on television, Mr. Jordan tells him that, to live as Tom Jarrett, he will have to lose his memories of his life as Joe Pendleton and Leo Farnsworth.

Several former Los Angeles Rams players have cameo roles in the film, including Deacon Jones, Les Josephson, Jack T. Snow, Jim Boeke, and Charley Cowan.

The main theme is the song "Heaven Can Wait" performed by Dave Grusin and the London Symphony Orchestra.

(About a year and a half after the film's release, in January 1980, the Rams and Steelers met in real life in Super Bowl XIV.)

The site's critical consensus reads "A throwback to the high-gloss screwball comedies of the 1940s, Heaven Can Wait beguiles with seamless production values and great comic relief from Charles Grodin and Dyan Cannon.

"[7] Metacritic gave the film a weighted average score of 72 out of 100 based on 10 critics, indicating "generally favorable reviews".

[8] Roger Ebert gave the film three out of four and called it "the kind of upbeat screwball comedy Hollywood used to do smoothly and well".

Mr. Beatty and Miss Christie are performers who bring to their roles the easy sort of gravity that establishes characters of import, no matter how simply they are drawn in the script.

"[11] Charles Champlin of the Los Angeles Times wrote that "Beatty and his accomplices have brought it off, with only minor patches of turbulence.

"[12] Gary Arnold of The Washington Post wrote "Heaven Can Wait is easily the most appealing new American movie on the market.

It manages to preserve much of the charm and romantic fantasy that worked for its predecessor, the 1941 crowd-pleaser Here Comes Mr. Jordan, while freshening up some of the settings and details and tailoring the roles to a different cast.