Howard Boatwright

Indeed, he demonstrated an unusually wide breadth of erudition as a scholar, publishing writings on music theory, ethnomusicology, Charles Ives, and Paul Hindemith.

Boatwright's musical compositions are full of chromaticism, although "adhering to traditional classical structures and by using rugged harmonies to support arching, shapely themes, he invariably created pieces with an appealing clarity, directness and emotional resonance".

In 1966 Boatwright started to develop a style he referred to as 'dodecaphonic, though not serial', where he appropriated the total of chromatic resources while still exercising control over harmony, all within the context of a layered, contrapuntal approach.

This technique (described in his book Chromaticism) is demonstrated in his Second Quartet, a work both consistent in style and impressive in its ability to project a wide variety of moods.

[4] "Though his refined, intelligent, atonal songs require advanced musicianship, the natural declamation and pliant, expressive vocal lines make them gratifying to sing.

"[4] His compiled set of Five Early Songs are highlighted by Carmen et al., requiring "an intelligent singer with good technique and musicianship.