In order to save the "lower" races, Homo technis develops a genus of sapiens called "breeders", with an ability to bring multiple births to term quickly.

They offered that the film itself came off as an effort that appears to use parts of Serenity, post-modern Battlestar Galactica, mixed with old-school 1950s B-movie sci-fi, overstated machismo male characters, and an inventive intergalactic tech-speak, to create a product that is "unintentionally hilarious cinematic cheese".

[1] In noted director Neil Johnson's love for "interstellar overdrives",[1] they observed that he borrowed plot devices from such as Children of Men, The Hitchhiker's Guide to the Galaxy, and '50s B-movies, and how like Raul Gasteazoro did with 10,000 A.D.: The Legend of a Black Pearl and Cory McAbee with The American Astronaut, he created his own version of the future universe, and stuck to its constraints, even though his characters were caricatures, "no matter how irritating or aggravating.

They praised Jay Laisne as Derasi Vorde, writing his "Han Solo impressions will be enjoyed by sci-fi fans disappointed by Harrison Ford's appointment with the natural aging process".

[2] Virtual DVD Magazine offered that the film would be appreciated by lovers of B-movie science fiction, but that its low-quality CGI visuals would require getting used to.