Critics praised the window the poems offered into the lives of women in Afghanistan as well as Murphy's photographs and other contextual materials included by Griswold.
[1] The American poet Eliza Griswold traveled around Afghanistan with Seamus Murphy, a photographer, to collect landays from remote places around the nation.
[4] The titular landay, for instance, came from a woman living near Jalalabad in a refugee camp whose husband was dying:[1] In my dream, I am the president.
He felt the context of the poems made them more powerful and that the landays offered "remarkable" stories of women in a culture where their voices were often silenced.
[1] A review published in Ohio State University's The Journal said that the book "adds a new chapter to the ancient story of human indomitability".