[1] Murray's full-length directorial debut, the film stars Mark Clennon as Benjamin, a gay working class musician who is urgently trying to find $1,000 to pay for post-exposure prophylaxis (PEP)[2] to protect himself from HIV after he is sexually assaulted by a stranger.
[4][5] Over the course of one weekend, a gay working class musician named Benjamin must urgently scrape together $1,000 to pay for post-exposure prophylaxis (PEP) to protect himself from HIV after he is sexually assaulted by a stranger.
[25] Adam Nayman, writing for the Toronto Star, called the film “deeply affecting” and wrote that "Murray’s movie transforms its furtive production circumstances into a fully realized style.
Instead of showing the city off, it cultivates a dizzy dislocation — the paranoid sensation of being surrounded at all times without necessarily feeling connected, or of anxious walks home under flickering street-lights.
"[26] Vadim Rizov of Filmmaker Magazine felt that some scenes were “overly attenuated” but concluded that the film is "a solid feature debut" with “a strong sense of a particular micro-milieu.