Idola theatri

The Latin was coined by Sir Francis Bacon in his Novum Organum—one of the earliest treatises arguing the case for the logic and method of modern science.

He named them Idols of the Theater "because in my judgment all the received systems are but so many stage plays, representing worlds of their own creation after an unreal and scenic fashion.

"[1] The term is one of four such "idols", that represent "idols and false notions" that are "in possession of the human understanding, and have taken deep root therein, not only so beset men's minds that truth can hardly find entrance, but even after entrance is obtained, they will again in the very instauration of the sciences meet and trouble us, unless men being forewarned of the danger fortify themselves as far as may be against their assaults".

[2] Of these, the Idola theatri are the most avoidable according to Bacon, being caused by particular historical situations, such as when there is a lot of interest in religion, and no strong monarch to repress such discussion.

[4] But Aristotle was not the only example for Bacon, who wrote:Nor is it only of the systems now in vogue, or only of the ancient sects and philosophies, that I speak; for many more plays of the same kind may yet be composed and in like artificial manner set forth; seeing that errors the most widely different have nevertheless causes for the most part alike.