Il Paradiso

Il Paradiso is a massive (22 x 9 metres) oil painting on canvas that dominates the main hall of the Doge's Palace, which hosted the Great Council of Venice.

[1] The painting features a heavenly scene with depictions of various religious figures such as the portrayal of Justina, patron saint of Padua (whose celebration day is October 7, the date of the Battle of Lepanto).

From the centre of the stage, a path of light opens up towards the Empyrean, allowing the souls of the Just to ascend (with the assistance of angels) and God's Grace to descend upon the Doge.

The Virgin Interceding with Christ portrays the scene surmounted by the dove of the Holy Spirit and raised upon a dense semicircular rank of cherubim and seraphim.

The reference to the Annunciation that had figured in the previous fresco was present: the Archangel Gabriel is shown holding out a lily to Mary, depicted with a halo of 7 stars.

From the centre of the stage, a path of light opens up towards the Empyrean, allowing the souls of the Just to ascend (with the assistance of angels) and God's Grace to descend upon the Doge.

The fact that Tintoretto possessed uncanny prowess and talent at such an early stage in his life is proven by how he was able to study closely under Titian, who was quite possibly the greatest of his own time within Venice and extremely well-renowned.

A worthy pupil who was in command of otherworldly skill or in contact with wealthy and influential patrons could find refuge and experience from the workshop of the most well-known painter of his time.

Written records during this period confirm to us that teacher and student clashed regularly, while hinting at the fact that Titian may have been envious of the young boy due to his raw natural talent.

His additions put emphasis on the city of Venice's unique political structure, and showcased its civil rights, military prowess and achievements.

This was whilst also celebrating the city's unique form of government, touted civic freedom, and exemplifying Venice's equality within the Holy Roman Empire and the papacy as well.

Gloria del Paradiso (1588-1592) by Tintoretto