Nevertheless, his wide business contacts facilitated his establishment of Pallas Studio and helped him to launch International Textiles on 15 December 1933.
László Moholy-Nagy became the Art Director of the magazine, dictated the total format of International Textiles and brought to bear his wide range of elementary graphic devices and their agile permutation to direct the reader's mind through forceful, clear, legible and fresh layouts.
His constant questioning of the page space and sequence, supported by judicious, visual contrasts, demonstrated how his commercial graphics were extensions to, rather than imitations of, his paintings and typophotos, but were similarly aimed at public enlightenment.
During the post-war period the magazine featured articles on developments in trade and industry, the introduction of new dyes, finishes and yarns, and the establishment of new organisations to promote fashion and textiles such as the Colour, Design and Style Centre in Manchester.
It also included a regular monthly discussion on the present and future textile trade with features on dress, fashions, furnishing fabrics, carpets and household linen.