Jacob de Gheyn II

His work attracted the attention of wealthy sponsors, and his first commission was for an engraving of the Siege of Geertruidenberg from Maurice of Nassau, Prince of Orange.

This event, from 27 March to 24 June 1593, had been more of a demonstration of power by Prince Maurits, than an actual war, and had even attracted tourists.

Moving to The Hague in 1605, he was employed often by Dutch royalty, designing a garden in the Buitenhof for Prince Maurice of Orange which featured the two first grottoes in the Netherlands.

De Gheyn painted some of the earliest female nudes, vanitas, and floral still lifes in Dutch art.

[4] His son, Jacob de Gheyn III, was born in 1596, and grew to become an engraver in his own right, as well as the subject of a portrait by Rembrandt.

Portrait of "Jacobus de Geyn, Antwerp", by Hendrik Hondius I , from his "Pictorum", 1610
Print: Ruben, Son of Jacob . Made after the example of Karel van Mander. [ 1 ]
Portrait of "Venus and Cupid", c.1605-1610
Karel van Mander on his Deathbed
Vanitas Still Life - 1603
Vanitas Still Life Yale University Art Gallery