However he engraved also motives after painter Karel Škréta, as the oldest example can be polemic book with author's portrait in Dioikésis hoc est Moderamen differentiarum juris communis (Prague 1664) by Jan Jindřich Proškovský.
[11] The best example of cooperation with Škréta can be considered a cycle of 37 copperplate engravings from the life of Saint Adalbert of Prague for book Rosa Boemica sive Vita sancti Woytiechi (Praha 1668) by Matěj Benedikt Bolelucký z Hradiště.
[12] Dooms engraved also frontispiece after model of unknown draftsman Gregor Rolle for book Předrahý poklad pokladnice Českého království, to jest Přemilá … s. Barbora (Prague 1670).
Dooms as well just drew up few models realised in the engraving by another Antwerp artist Jan Adriaen Gerhardt de Groos, for example, author's portrait in Phosphorus septicornis (Prague 1673) by Tomáš Pešina z Čechorodu.
in Sláva nejstarožitnějšího Arcidomu rakouského na každý den přes celý rok vysvětlená (Prague 1635) by Nicolaus Vernulaeus, devotional picture (Vera effigies) of Saint Ludmila (1637),[15][16][17][18] portrait of canon Šimon Brosius z Horsteina (1641),[18] Virgin Mary with kneeling Carmelite in Provázek trojnásobný (Prague 1644), engraving of title page and four portraits of emperors Ferdinand I. to Ferdinand IV., most likely after Frans Bruyn in Ferdinandi I. II.
Haupt-Kirchen des Ertz-Stiffts St. Viti zu Prag (Prague 1680) by Jan Ignác Dlouhoveský z Dlouhé Vsi.
[7] Dooms engraved also for several books while he resided in Kutná Hora, for example frontispieces for several volumes of Zprávy o velikém triumfu ku poctivosti s. Františka Xaveria (Prague 1658) by Franciscus Natolius.