He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings, many of which were engraved by contemporary printmakers and published by the Antwerp printers.
[4] In 1659 Jan Peeters spent six months in the Dutch Republic drawing panoramas of several towns and harbours.
[5] Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem.
[8] The Flemish engraver Gaspar Bouttats etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacobus Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc.
[9] Bouttats also used drawings by Jan Peeters (I) for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt met d'aengrensende Plaetsen soo in Brabandt Vlaenderen als anden Rhijn en elders verovert door de Waepenen der Groot-moghende Heeren Staeten onder het gheley vande seer Edele Hooghghebore Princen va Oranien (Scene of the Cities and the Forts of the United Netherlands with the Neighbouring Places like Brabant, Flanders and on the Rhine and Conquered Elsewhere by the Weapons of the Great and Mighty Sovereign States under the Leadership of the Very Noble Prince of Orange).
[10] Drawings by Jan Peeters were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel et fortresses dícelles et en suittes quelques places renommées de la Terre Saincte, et autres dessous la domination Ottomane vers le Midij et l'Orient, et quelques principales villes en Perse et le regne du Grand Mogol le tout en Abrege.