[4] Since then, she has created notable walks such as Her Long Black Hair (2004), in and around Central Park, and Words Drawn in Water (2005) for the Hirshhorn Museum.

This work is now part of the permanent collection of the National Gallery of Canada in Ottawa, Ontario, Canada.,[7] the Museum of Modern Art in New York City, and of Inhotim in Brumadinho, Brazil.

[8] A mid-career retrospective, Janet Cardiff: A Survey of Works, Including Collaborations with George Bures Miller, opened at P.S.

1 Contemporary Art Center, Long Island City, Queens, in 2001 and has travelled to Montréal, Oslo, and Turin.

It took place in the library of the Carnegie Museum of Art and begins with the participant donning a pair of headphones attached to a small video camera.

The work consists of a dimly lit room, furnished with cardboard, carpets, and collected ephemera and artifacts, through which visitors move, triggering sounds such as musical segments, portions of conversations, and bits of stories.

[4] Cardiff and Bures Miller represented Canada at the 49th Venice Biennale with Paradise Institute (2001), a 16-seat movie theatre where viewers watched a film, becoming entangled as witnesses to a possible crime played out in the real world audience and on the screen.

[11] Recent projects include Thought Experiments in F♯ Minor (2019), a site-specific, immersive, video installation at the Walt Disney Concert Hall in Los Angeles; and Cardiff & Miller (2019), a solo exhibition at Museo de Arte Contemporaneo de Monterrey in Mexico.