Jean (or Janet or Jehannot) Clouet (c. 1485 – 1540/1) was a painter, draughtsman and miniaturist from the Burgundian Netherlands whose known active work period took place in France.
[3] Perréal's departure in 1527 made Clouet the highest paid ordinary painter, confirming his status as the almost exclusive creator of portraits for the royal family and the court.
His title of master painter, likely received in Flanders, also allowed him to work for private patrons, such as the notary of the King Jacques Thiboust, whose portrait he painted in 1516, and his uncle by marriage Pierre Fichepain, who commissioned a Saint Jerome from him in 1522.
Seven miniature portraits in the Manuscript of the Gallic War in the Bibliothèque Nationale (13,429) are attributed to Jean Clouet with very strong probability, and to these may be added an eighth in the collection of J. Pierpont Morgan, and representing Charles I de Cossé, Maréchal de Brissac, identical in its characteristics with the seven already known.
There are other miniatures in the collection of Mr Morgan, which may be attributed to Jean Clouet with some strong degree of probability, inasmuch as they closely resemble the portrait drawings at Chantilly and in Paris which are taken to be his work.
[4] The collection of drawings preserved in France, and attributed to this artist and his school, comprises portraits of all the important persons of the time of Francis I.
In one album of drawings the portraits are annotated by the king himself, and his merry reflections, stinging taunts or biting satires, add very largely to a proper understanding of the life of his time and court.