[6] Barroga's produced works include The Pigeon Man (1979), Reaching for the Stars (1983), Eye of the Coconut (1987), Kenny Was a Shortstop (1991), Talk-Story (1992), Walls (1993), Rita's Resources (1995), A Good Face (1997), Gadgets (2000), Banyan (2005), and My Friend Morty (2006).
[8][1] Walls (1989), which premiered at the Asian American Theater Company in San Francisco, was inspired by Jan Scruggs's book To Heal A Nation.
It uses the memorial wall as both subject and metaphorical theme, looking at the intersection of politics and art, the history of the Vietnam War, and the divisions – ethnic and otherwise – that characterize the contemporary American experience.
[2] The play frames the aesthetic and political objections to Lin's design as part of a larger struggle to define what it means to be American, and what perspectives are allowed to contribute to official history and public memory.
[12] Two Plays: Kenny was a Shortstop and The Reverend Mrs. Newton (San Francisco: Philippines Resource Center, 1993) Walls in Roberta Uno, ed.
Unbroken Thread: An Anthology of Plays By Asian American Women (Amherst: University of Massachusetts Press, 1993) Talk-Story in Velina Hasu Hudson, ed.