Jennie C. Jones (born 1968 in Cincinnati, Ohio) is an African-American artist living and working in Brooklyn, New York.

[2] In 2012, Jones was the recipient of the Joyce Alexander Wien Prize, one of the biggest awards given to an individual artist in the United States.

[3] In December 2015 a 10-year survey of Jones's work, titled Compilation[4], opened at the Contemporary Arts Museum in Houston, Texas.

[3] Jones is a visual and sonic artist whose paintings, sculptures, and works on paper incorporate ideas around minimalism, abstraction, Jazz, and Black history.

With the amalgamation of industrial acoustic materials, often used in recording studios and listening rooms, Jones's art focuses on building a bridge between two-dimensional works, architecture, and sound.

This exhibit was a collection of ink works on paper and installations of cable and speakers located in the Arratia Beer gallery in Berlin, Germany.

At the Hirshhorn Museum and Sculpture Gallery in Washington, D.C., this exhibit contained works of acrylic paint, wood, fiberglass, mineral wool filling, and fabric.

In a combination of acrylic paint on canvas and acoustic absorber panel, noise cancelling cable, and mixed media collage, Jones's Tone was displayed at Sikkema, Jenkins & Co. Gallery.

Jones brings to light the unlikely alliances that emerged between the visual arts and the imprint of music, highlighting the way they became and continue to exist as tangible markers of social evolution and political strivings.