[1] Reeves's 16 mm films are often experimental and deal with a range of issues, including mental health, politics, sexuality, feminism and the environment.
Her films also feature collaborations with composers such as Marc Ribot, Skúli Sverrisson, Elliott Sharp, Zeena Parkins, Anthony Burr, and Eyvind Kang.
The film makes use of a number of techniques to visually disorient the viewer, including hand-painted frames, a staple of Reeves's work.
Conversely, the film features footage of Reeves herself cut alongside shots of men looking from a distance, followed by a series of distressing images.
The project was titled Landfill 16, and through its repurposing of the film, the work draws connections to nature's losing battle to decompose the waste we produce.