Jerome Witkin (born September 13, 1939) is an American figurative artist whose paintings deal with political, social and cultural themes,[1] along with serious portraiture that melds the sitter's social position with a speaking likeness that reveals inner character.
[1] Recognized as a prodigious talent, at fourteen he entered The High School of Music & Art in New York, and subsequently studied at the Skowhegan School of Painting and Sculpture, Cooper Union, the Berlin Academy, and the University of Pennsylvania.
After his return to the United States, Witkin received a Guggenheim Fellowship, began exhibiting at galleries in New York and joined the faculty of the Maryland Institute College of Art.
[3] Witkin's work can be thought of as an interrelationship of three bold explorations: While his paintings reference the work of the old masters, social realism, and abstract expressionism, Witkin, in a self-deprecating manner, refers to himself as a "cornball humanist".
[2] In a fuller explanation of his motivation, Witkin has emphasized, "If this society continues to the next two thousand years, people will be looking at the twentieth century and saying, 'What did artists do about the strange goings-on?