Jim Crow (character)

The Jim Crow persona is a theater character developed by entertainer Thomas D. Rice (1808–1860) and popularized through his minstrel shows.

Rice based the character on a folk trickster named Jim Crow that had long been popular among enslaved black people.

Rice applied blackface makeup made of burnt cork to his face and hands[3] and impersonated a very nimble and irreverently witty African-American field-hand who sang, "Come listen all you galls and boys, I'm going to sing a little song, my name is Jim Crow, weel about and turn about and do jis so, eb'ry time I weel about I jump Jim Crow.

"[6] Rice's famous stage persona eventually lent its name to a generalized negative and stereotypical view of black people.

The Jim Crow period was later revived by President Woodrow Wilson: after a showing (the first movie viewing in the White House) of the motion picture The Birth of a Nation (1915), which glorified the Ku Klux Klan and portrayed black people as bestial rapists, he signed segregation laws and targeted black people in government.

[8] The "Jim Crow" character as portrayed by Rice popularized the perception of African-Americans as lazy, untrustworthy, unintelligent, and unworthy of social participation.

In Nathaniel Hawthorne's The House of the Seven Gables (1851), a young schoolboy buys gingerbread "Jim Crow" cookies for a penny each.

A man in blackface costumed in eccentric, formal clothes with patches, dances making exaggerated motions with one hand on hip.
Actor Thomas Dartmouth Rice as "Jim Crow" (1836)
Jim Crow rock on Firth of Clyde shore near Hunters Quay, eventually repainted as the Puffin Rock