[5] Over the years, the company would feature dancers such as Andrew de Lotbinière Harwood, Sylvain Émard, her daughter Jenny Lion and Motaz Kabbani.
The reviewer further described Lechay's creative ambition as "to balance dynamics of jabbing, flailing speed with concentration and attenuation; to look careless while in fact being meticulous; to be ever watchful and thus to fool the enemy.
In 1989, they began creating one-woman interdisciplinary works, with Lion writing, directing and designing and Lechay performing, Their first piece in this style, Goya - The Dream of Reason Produces Monsters, combined dance with storytelling and singing and explored the difficulties of conveying political messages through art.
[11] This piece later evolved into Affamée (translated as "starved"), a work which a The Globe and Mail reviewer described as Lechay's "attempt to express her sense of impotence as an artist in the face of political horrors, specifically the torture of families by El Salvador's death squads.
[13] In 1995, Lechay premiered a work entitled Augusta, named after her grandmother, an activist who was jailed for anti-Czarist activities in Russia before moving to America in 1905.