Joachim Pissarro

[8] Pissarro's dissertation was entitled: "Individualism and inter-subjectivity in modernism: two case studies of artistic interchanges.

In 1984, Pissarro was the director of Impressionist modern paintings and sculptures for Phillips Auction House in London.

[10] Between receiving his Masters and his Ph.D, Pissarro began his teaching career as a visiting lecturer at the University of Texas at Austin.

In 1994, Pissarro was named chief curator of the Kimbell Art Museum in Fort Worth, Texas.

In 2000, Pissarro began working in New York City as a member of the Advisory Committee on Archives, Library, and Research at the Museum of Modern Art.

Based in New York City for most of his career, Pissarro’s reputation as a highly esteemed art historian has allowed him to work with artists all over the world, contemporary and classical.

[12] Exhibits curated while at Yale include Jasper Johns Recent Paintings (with Richard Field and Gary Garrels, 2000);[13] After looking at Chinese Rocks: Brice Marden: Work in Progress (1999);[14][15] and Post-Modern Transgressions (1999).

[16] Pissarro served as Chief Curator at the Kimbell Art Museum in Fort Worth, TX from 1994 to 1997.

[16] Exhibits curated while at Yale include Jasper Johns Recent Paintings (with Richard Field and Gary Garrels, 2000);[18] After looking at Chinese Rocks: Brice Marden: Work in Progress (1999);[19][20] and Post-Modern Transgressions (1999).

The exhibit featured the art of Yale alumni including Dawoud Bey, Gregory Crewdson, John Currin, Ann Hamilton, Roni Horn, Abelardo Morell, Jessica Stockholder, Peter Wegner, and Lisa Yuskavage.