[2] Despite his brief life, Llimona made a lasting impact on the modernist movement in European art during the early 20th century.

To do this, Llimona wanted to paint outdoors and gain experience with practice strokes for different colors and strengths.

Additionally, Llimona visited countless museums throughout Venice to study paintings by Veronese, Tiepoli and Tintoretto.

Correspondence between the two men demonstrates Llimona's determination to create a successful career as a painter.

[2] A member of the latter group, Llimona spent his time painting with a broad array of Spanish society.

In December 1884, Llimona participated in the Second Exhibition of Fine Arts with other prominent artists such as Baixeras, Cusachs and others.

[1] Later in his career, Llimona published countless articles about the aesthetic presence and controversy related to the rigid interpretation of sexual morality and blasphemy.

Benedict was a very religious man and spoke to Joan about being spiritually enlightened after following the path of the Church.

Some of his works raised violent criticism, such as “The Sudden death,” which the author then decided to destroy and use it later as a canvas to pain on the 1896.

[2] During this stage in his art, the former anecdotism is mixed with Llimona's desire to express states of mind and excite charity.

[4] The values of the organization revolved around strict Catholicism and explored the intersection of religion and morality.