John, King of England

John died of dysentery contracted while on campaign in eastern England in late 1216; supporters of his son Henry III went on to achieve victory over Louis and the rebel barons the following year.

[5] These negative qualities provided extensive material for fiction writers in the Victorian era, and John remains a recurring character within Western popular culture, primarily as a villain in Robin Hood folklore.

[10] The future of the empire upon Henry's eventual death was not secure: although the custom of primogeniture, under which an eldest son would inherit all his father's lands, was slowly becoming more widespread across Europe, it was less popular amongst the Norman kings of England.

[14] John was probably, like his brothers, assigned a magister whilst he was at Fontevrault, a teacher charged with his early education and with managing the servants of his immediate household; he was later taught by Ranulf de Glanvill, a leading English administrator.

[35] John was made Count of Mortain, was married to the wealthy Isabella of Gloucester, and was given valuable lands in Lancaster and the counties of Cornwall, Derby, Devon, Dorset, Nottingham and Somerset, all with the aim of buying his loyalty to Richard whilst the King was on crusade.

[51] Richard appears to have started to recognise John as his heir presumptive in the final years before his death, but the matter was not clear-cut and medieval law gave little guidance as to how the competing claims should be decided.

[61] Both sides paused for desultory negotiations before the war recommenced; John's position was now stronger, thanks to confirmation that the counts Baldwin IX of Flanders and Renaud of Boulogne had renewed the anti-French alliances they had previously agreed to with Richard.

[66][nb 5] Isabella of Angoulême, however, was already engaged to Hugh IX of Lusignan, an important member of a key Poitou noble family and brother of Raoul I, Count of Eu, who possessed lands along the sensitive eastern Normandy border.

[63] Just as John stood to benefit strategically from marrying Isabella, so the marriage threatened the interests of the Lusignans, whose own lands currently provided the key route for royal goods and troops across Aquitaine.

De Roches was a powerful Anjou noble, but John largely ignored him, causing considerable offence, whilst the King kept the rebel leaders in such bad conditions that twenty-two of them died.

[83] During the 12th century, there were contrary opinions expressed about the nature of kingship, and many contemporary writers believed that monarchs should rule in accordance with the custom and the law, and take counsel of the leading members of the realm.

[83] Modern historians remain divided as to whether John had a case of "royal schizophrenia" in his approach to government, or if his actions merely reflected the complex model of Angevin kingship in the early 13th century.

The Jews, who held a vulnerable position in medieval England, protected only by the King, were subject to huge taxes; £44,000 was extracted from the community by the tallage of 1210; much of it was passed on to the Christian debtors of Jewish moneylenders.

[121] De Braose was subjected to punitive demands for money, and when he refused to pay a huge sum of 40,000 marks (equivalent to £26,666 at the time),[nb 13] his wife, Maud, and one of their sons were imprisoned by John, which resulted in their deaths.

[20] Other historians have been more cautious in interpreting this material, noting that chroniclers also reported his personal interest in the life of St Wulfstan and his friendships with several senior clerics, most especially with Hugh of Lincoln, who was later declared a saint.

From the 1040s onwards, however, successive popes had put forward a reforming message that emphasised the importance of the Church being "governed more coherently and more hierarchically from the centre" and established "its own sphere of authority and jurisdiction, separate from and independent of that of the lay ruler", in the words of historian Richard Huscroft.

[183] John paid some of the compensation money he had promised the Church, but he ceased making payments in late 1214, leaving two-thirds of the sum unpaid; Innocent appears to have conveniently forgotten this debt for the good of the wider relationship.

[192] John's plan was to split Philip's forces by pushing north-east from Poitou towards Paris, whilst Otto, Renaud and Ferdinand, supported by William Longespée, marched south-west from Flanders.

[202] The charter went beyond simply addressing specific baronial complaints, and formed a wider proposal for political reform, albeit one focusing on the rights of free men, not serfs and unfree labour.

He had stockpiled money to pay for mercenaries and ensured the support of the powerful marcher lords with their own feudal forces, such as William Marshal and Ranulf de Blondeville, 6th Earl of Chester.

[210] John's strategy was to isolate the rebel barons in London, protect his own supply lines to his key source of mercenaries in Flanders, prevent the French from landing in the south-east, and then win the war through slow attrition.

[222] Roger of Wendover provides the most graphic account of this, suggesting that the King's belongings, including the English Crown Jewels, were lost as he crossed one of the tidal estuaries which empties into the Wash, being sucked in by quicksand and whirlpools.

[230] Henry III continued his attempts to reclaim Normandy and Anjou until 1259, but John's continental losses and the consequent growth of Capetian power in the 13th century proved to mark a "turning point in European history".

[245] Historians in the "Whiggish" tradition, focusing on documents such as the Domesday Book and Magna Carta, trace a progressive and universalist course of political and economic development in England over the medieval period.

[250] Interpretations of Magna Carta and the role of the rebel barons in 1215 have been significantly revised: Although the charter's symbolic, constitutional value for later generations is unquestionable, in the context of John's reign, most historians now consider it a failed peace agreement between "partisan" factions.

[4] Jim Bradbury notes the current consensus that John was a "hard-working administrator, an able man, an able general", albeit, as Turner suggests, with "distasteful, even dangerous personality traits", including pettiness, spitefulness and cruelty.

[258] By contrast, Shakespeare's King John, a relatively anti-Catholic play that draws on The Troublesome Reign for its source material, offers a more "balanced, dual view of a complex monarch as both a proto-Protestant victim of Rome's machinations and as a weak, selfishly motivated ruler".

[259] Anthony Munday's play The Downfall and The Death of Robert Earl of Huntington portrays many of John's negative traits, but adopts a positive interpretation of the King's stand against the Roman Catholic Church, in line with the contemporary views of the Tudor monarchs.

[261] Nineteenth-century fictional depictions of John were heavily influenced by Sir Walter Scott's historical romance, Ivanhoe, which presented "an almost totally unfavourable picture" of the King; the work drew on 19th-century histories of the period and on Shakespeare's play.

[266] Popular works that depict John beyond the Robin Hood legends, such as James Goldman's play and later film, The Lion in Winter, set in 1183, commonly present him as an "effete weakling", in this instance contrasted with the more masculine Henry II, or as a tyrant, as in A.

An illuminated manuscript, showing Henry and Eleanor sitting on thrones, accompanied by two staff. Two elaborate birds form a canopy over the pair of rulers.
John's parents, Henry II and Eleanor, holding court
An illuminated diagram showing Henry II and the heads of his children; coloured lines connect the two to show the lineal descent
13th-century depiction of Henry II and his legitimate children, left to right: William , Henry , Richard , Matilda , Geoffrey , Eleanor , Joan and John
A picture showing King Richard sat beside King Philip II, the latter is receiving a key from two Arabs; a castle, presumably Acre, can be seen in the top right of the picture.
Richard I (left) and Philip II Augustus at Acre during the Third Crusade
An illuminated picture of King John riding a white horse and accompanied by four hounds. The king is chasing a stag, and several rabbits can be seen at the bottom of the picture.
John on a stag hunt
A photograph of a tall grey castle, with a taller keep visible beyond the main walls.
The donjon of Château Gaillard ; the loss of the castle would prove devastating for John's military position in Normandy
A photograph of a medieval tomb with a carving of Isabella on top. She is lying with her hands clasped, wearing a blue dress.
The effigy of Isabella of Angoulême, John's second wife, in Fontevraud Abbey in France
A map of France showing John's bold sweep towards Mirebeau with a red arrow.
John's successful 1202 campaign, which culminated in the victory of the battle of Mirebeau ; red arrows indicate the movement of John's forces, blue those of Philip II's forces and light blue those of Philip's Breton and Lusignan allies
A map of Normandy, showing Philip's invasion with a sequence of blue arrows, and the Breton advance from the west shown in light blue.
Phillip II's successful invasion of Normandy in 1204; blue arrows indicate the movement of Philip II's forces and light blue Philip's Breton allies
A photograph of a hand written medieval pipe roll, with a handwritten list of entries and a formal stamp in the centre of the document
A pipe roll , part of the increasingly sophisticated system of royal governance at the turn of the 13th century
A photograph of the front and back of a silver penny, the design dominated by a triangle in the centre of each coin. One side shows King John's head.
A silver King John penny , amongst the first struck in Dublin
A photograph of the "heads" side of a silver coin
A silver King John penny
King John presenting a church, painted c. 1250–1259 by Matthew Paris in his Historia Anglorum
A family tree, with John in a circle and his children's heads represented in circles, linked by coloured lines.
A 13th-century depiction of John and his legitimate children, (l to r) Henry , Richard , Isabella , Eleanor and Joan
A drawing of a medieval castle, with a tall tower with a flag on top; a crossbowman is firing an arrow from the battlements at two horsemen.
An early-13th-century drawing by Matthew Paris showing contemporary warfare, including the use of castles, crossbowmen and mounted knights
A drawing of King John wearing a crown and a red robe. The king is sat down and stroking two hunting dogs.
A 13th-century depiction of John with two hunting dogs
A painting of Pope Innocent III, wearing his formal robes and a tall, pointed hat.
Pope Innocent III , who excommunicated John in 1209
A photograph of a tall stone castle keep; most of the towers are square, but one, rebuilt after a siege, is circular.
Rochester Castle in Kent, one of the many properties owned by the disputed archbishopric of Canterbury , and an important fortification in the final years of John's reign
An illuminated picture of two armies of mounted knights fighting; the French side are on the left, the Imperial on the right.
The French victory at the battle of Bouvines doomed John's plan to retake Normandy in 1214 and led to the First Barons' War .
A photograph of a page of Magna Carta, a wide page of dense, small medieval writing.
One of four surviving original copies of Magna Carta, agreed by John and the barons in 1215. British Library , London.
A map of England showing King John's march north and back south with solid black and dashed arrows.
John's campaign from September 1215 to March 1216
A photograph of the tomb of King John; a large carved, square, stone block supports a carved effigy of John lying down.
King John's tomb in Worcester Cathedral
Changes in Angevin and Capetian holdings in France. Blue: French royal domains, Yellow: Church lordships, Red: Fiefs held by the king of England in vassalage from the French crown, Green: other fiefs held on behalf of the French crown
A medieval sketch of Matthew Paris, dressed as a monk and on his hands and knees.
A self-portrait of Matthew Paris, one of the first historians of John's reign
A photograph of the wood block print of the Book of Martyrs. The book's title is in the centre and various scenes from the book are depicted around it.
John Foxe 's Book of Martyrs , officially titled Acts and Monuments , which took a positive view of John's reign