Joshua Roll

The Joshua Roll is a Byzantine illuminated manuscript of highly unusual format, probably of the 10th century Macedonian Renaissance,[1] believed to have been created by artists of the imperial workshops in Constantinople,[2] and now in the Vatican Library.

The style of the illuminations are relatively realistic in the anatomy and proportions of the figures, and there are loose attempts to add elements such as trees and cityscapes to create a sense of time and space.

[9] Like the Paris Psalter, with which it is usually discussed, it is heavily classicising in style, though the extent to which this represents a revival or copying from a much earlier model is the subject of much debate.

"[10] The roll itself is usually acknowledged to be of the 10th century AD, but the images are felt by most art historians to derive from one or more earlier works, perhaps going back as far as Late Antiquity.

The subject produced a sharp disagreement between Kurt Weitzmann, who thought the form of the roll was a classicising invention of the Macedonian Renaissance, and Meyer Schapiro, who, whilst agreeing with Weitzmann on a 10th-century date, held to the more traditional view that painted rotuli existed in Late Antiquity, and that the roll was essentially copied from such a work, perhaps through intermediaries.

Sheet 3 of the Joshua Roll; Joshua and the Israelites
Portion of the Joshua Roll; scenes before the battle at Gibeon – the moon and sun are seen at the right.
Joshua and the Angel, Joshua Roll, Sheet 12, Rome, 10th century. Height, 12 3/4 in. (32.4 cm). Biblioteca Apostolica Vaticana.
A facsimile mounted on its rollers