Davidoff participated in a number of ensembles, performing viols, early strings (vielle, rebec, kemence), the baryton, and the baroque, classical and modern cello.

[44] A number of professional viol players studied with Judith Davidoff, among them Lucy Bardo, Myrna Herzog, Fortunato Arico, Patricia Neely, Robert Eisenstein, Lesley Retzer, Cecilia Aprigliano.

Davidoff contributed two articles for the Journal of the Viola da Gamba Society of America: “Ann Ford: An Eighteenth-century Portrait” (vol.

30, 1993 Archived August 1, 2019, at the Wayback Machine p. 51) and “The New York Pro Musica and the Soviet Union: Personal Observations of a Viol Player” (vol.

Her Ph.D. Dissertation, The Waning and Waxing of the Viol: A Historical Survey and Twentieth-century Catalogue is available online at site of the Viola da Gamba Society of America [45]