Julia Bardsley is an artist working with performance, video, photography, sculptural objects and the configuration of the audience.
[2] Bardsley was a founder member of dereck dereck Productions; other stage performances in the 1980s included Marie-Christine in Ardele, Where the Rainbow Ends, Gaudette at the Almeida Theatre (where she won the Time Out award for direction), and Too Clever by Half and A Flea in Her Ear (Antoinette Plucheux) at the Old Vic.
[18] The three parts of which are: Produced for Chelsea Theatre, Sacred Festival, Improvements on Nature: a Double Act explored themes of science using imagery of amputations.
'[24] A modular ensemble piece, the meta_Family, presented in Teresina & Rio, Brazil & Outside AiR - QMUL, London.
[25] A performance project inspired by the Medea myth; drawing on themes of sexuality, eroticism and electricity.