The series was created during her residence at the St. Louis Forum for Contemporary Art located near Monsanto's headquarters.
Moos chose to represent her subjects in an objective manner despite the highly controversial topic of biogenetic engineering.
Her portraits offered a straightforward, unbiased presentation of the farmer's work, the land, and the corporation supporting them.
This series is based on James Agee's article "Let Us Now Praise Famous Men", published as a book with photographs by Walker Evans.
Moos places the two subjects against non-descript backgrounds providing no extra evidence and allowing the viewer conclude the relationship between the couple.