[13] The duo collaborated with the Weeknd on the song "Wake Me Up", which serves as the opening track from the latter's sixth studio album, Hurry Up Tomorrow (2025).
After the original release of "We Are Your Friends", Justice worked on remixes for a number of French groups (Vicarious Bliss, Scenario Rock, and Gambit) as well as for larger mainstream acts such as Britney Spears, N*E*R*D, Fatboy Slim, and Daft Punk.
[16] Justice's first solo single, "Waters of Nazareth", was released on Ed Banger Records in September 2005 and was championed by DJs such as Erol Alkan, Eddy Temple-Morris, Tiga, 2 Many DJ's, and Ivan Smagghe.
The duo's prolific remix work continued, as it turned in mixes for Franz Ferdinand, Mystery Jets, Soulwax, and Mr. Oizo.
The clip features a group of youths committing acts of vandalism and harassment, wearing jackets bearing the Justice cross on the back.
Asked in an interview whether their cross-based themes had received any negative feedback, De Rosnay said, "Eighty percent of France is Christian.
"[21] On 1 June 2008, The Sun announced that Justice was chosen by Anthony Kiedis of the Red Hot Chili Peppers to produce the band's follow up to Stadium Arcadium,[22] but this was quickly corrected by Ed Banger manager Pedro Winter, as Anthony Kiedis had only stated he was a fan of Justice, not preparing for a collaboration.
[23] In July 2008, Justice was revealed to have done a mix for the Dior Homme Summer 2009 Fashion Show, much like Daft Punk did for Louis Vuitton in 2007.
An iconic scene in A Cross The Universe happens in Las Vegas where, as a homage to US hard rock singer Axl Rose, Gaspard marries a groupie whom he had met three hours previously.
[26] During a DJ tour for the release of A Cross the Universe in November 2008, controversy arose when a photograph of Augé DJing with an unplugged Akai MPD24 surfaced.
Augé has since said that the equipment was unplugged very briefly before being reattached and the band put a three-photo set of the incident on their MySpace page.
In April 2009, the music website Stereogum hosted a remix by the duo of U2's song "Get on Your Boots", the lead single from the band's most recent album No Line on the Horizon.
[32] Also in April 2009 at the Coachella Valley Music Festival, Augé was seen at the "Dome" with Busy P, DJ Mehdi, and Daft Punk.
[citation needed] They played at the 2009 Voodoo Experience in New Orleans, as well as at the HARD Haunted Mansion in LA over the Halloween weekend.
The song has also been featured as the soundtrack to a new Adidas campaign spearheaded by French director Romain Gavras, with whom Justice has worked in the past.
The video features Xavier and Gaspard in a studio setting, and details the lengthy, rock n' roll style recording process that was experienced in making the single, and album.
Within the clip, various instruments are seen, such as an electric guitar, a piano, and a drum kit, standing as the quite literal symbols for the Justice progression into a more rocky, less electronic sound.
The duo played many of its hits from its critically acclaimed debut album Cross, as well as many of the new tracks off of Audio, Video, Disco.
[41] On 18 June 2016, a new single was revealed titled "Safe and Sound" at the Ed Banger House Party at the Sónar 2016 Music Festival.
[46] On 10 May 2018, Justice announced the release of a remix album, Woman Worldwide, on 24 August 2018 after their performance at the Google I/O conference in California.
[48] On 28 September 2018, Justice announced that they would be playing their "last live show for [the] tour and for [the] decade" at the HARD Day of the Dead Festival in California via their Instagram.
[50] On 18 March 2021, the duo sent a cease and desist letter to Justin Bieber over the album, Justice, citing willful trademark infringement over the "cross" logo.
[53] On 29 December 2023, Madeon played an unreleased song from Justice's upcoming album on his DJ set in Nashville.
On 31 January 'Wake Me Up', co-produced by Justice and Oneohtrix Point Never, was released as the opening track to The Weeknd's new album Hurry Up Tomorrow.
On each side of "Valentine" (a non-functional modular synthesizer prop) are nine stacked Marshall cabinet fronts, adding up to a total of 18.
On the Access All Arenas tour, which accompanied the release of Audio, Video, Disco, Justice's live setup expanded to make use of more intricate lighting effects.
[68] The audio equipment was also stripped down to an Ableton Live console, multiple Pioneer DJM800s for the mixing suite on-stage, a Minimoog Voyager, and a minimal number of other MIDI controllers.
[68] A 76-key keyboard was concealed within "Valentine" (still the prominently featured centerpiece of the stage), which was revealed at points during the show in which Gaspard or Xavier would play certain piano or organ portions of the setlist.
[72] Following the previous pattern of using Pioneer DJM series mixers, the Woman World Tour set also used four DJM900s.