Chambers has collaborated with many contemporary artists, including; Marilou Lemmens & Richard Ibghy at Trinity Square Video in Toronto, Evann Siebens at Wil Aballe Art Projects, Brendan Fernandes at Stedelijk Museum in Amsterdam, Jen Weih at Pitt Gallery, Elisa Ferrari at Western Front, Margaret Dragu at Audain Gallery SFU, and a long-time collaboration with artist Josh Hite.
[2] Chambers investigated gesture, rhythm, time and musicality in her work with Laurie Young One Hundred More,[3] in order to connect with embodied, physical movements that reveal recognizable expressions of resistance.
One critic has said about the work; "Chambers's observations so pointed, that in future it's going to be hard for this viewer to regard dining as anything other than a performance, unconsciously choreographed by the participants.
"[5] "Beginning with the Seventies: Radical Change" at the Morris and Helen Belkin Art Gallery curated by Lorna Brown, Chambers investigates the time-specificity of performance archives.
"[10] Inspired by the stay-at-home orders of the 2020 COVID pandemic, Chambers re-directed the embodied recognition of domestic spaces as the new conditions for bodies placement, and closer attention to the rhythms of daily experience.