Kamal-ol-molk

Mohammad Ghaffari, better known as Kamal-ol-Molk, born in Kashan in 1848, to a family with a strong artistic tradition, tracing their origins back to notable painters during the reign of Nader Shah.

Kamal's uncle, Mirza Abolhassan Khan Ghaffari, known as Sanee-ol-Molk, a celebrated 19th-century painter, was notable for his watercolor portraiture.

His father, Mirza Bozorg Ghaffari Kashani, was the founder of Iran's painting school and a famous artist as well.

In his visits to Dar-ul-Funun, Naser al-Din Shah Qajar came to know Mohammad Ghaffari and invited him to the court.

Mohammad further improved his technique, and Nasereddin Shah gave him the title "Kamal-ol-Molk" (Perfection on Land).

[2] Once there, he had discussions with distinguished European artists on style and technique, and copied some of Rembrandt's works, including "Self Portrait", "Jonah", and "Saint Matthew".

[5] The increasing pressure on Kamal-ol-Molk, originating in Mozaffar ad-Din Shah Qajar's court, left him no option but to leave his country for Iraq, in spite of all the affection he felt for Iran.

With the advent of the Constitutional Movement, after a two-year stay in Iraq, Kamal-ol-Molk returned to Iran and joined the Constitutionalists because of the hatred he had developed towards Mazaffareddin Shah's government.

His mourners, especially family and closely related friends, marched his body next to the tomb of Sufi poet, Attar.

Mirror Hall , which he believed to be his best work. He painted it over a five-year period.