Inspired by both coarse Polish techniques and patterns and materials from the Orient, she has been successful in creating textiles for industrial furniture manufacturers (Cotil, Paustian), as well as for domestic use (Royal Copenhagen).
After matriculating from Øster Borgerdyd Gymnasium, in 1959 she moved to Paris where she studied history of art at the École du Louvre.
On returning to Denmark, she attended Skolen for Boligindretning (Interior Design School) where she decided she wanted to make a career in textiles.
[2] Around that time, Naver began experimenting with the coarser Polish weaving styles which had gained popularity, adopting new colours and widening her freedom of expression.
[2] Among Naver's most important works are her five large tapestries in Danmarks Nationalbank, complementing Arne Jacobsen's architecture (1979), and the circular flat-woven rug she designed for A.P.