Kreuzberg Tower and Wings

Focused on a shortage of social housing in West Berlin, it became the largest urban renewal effort in Europe at the time.

At this point in time, Hejduk was best known as the Dean of the Cooper Union School of Architecture in New York, and as an architect whose output mostly consisted of poetry,[5] drawings, and publications.

[6] The critic Herbert Muschamp described him in the New York Times as: "the consummate paper architect, an artist who has shirked off the cumbersome apparatus of conventional practice and created entire cities of the mind.

His drawings, often gathered together in the form of 'masques,' set forth an elaborate personal mythology of angels, medusas, watchtowers, condemned men and other allegorical figures.

"[7]Together with Cooper Union graduate Moritz Müller as contact architect in Berlin, Hedjuk worked on the designs between 1984-87.

"[10]Shumon Basar, who has lived on the 10th and 11th floors, has written that: "The luxury Hejduk offers is a radical rethinking of the plan of a house or an apartment.