De Wilde then returned to Paris to settle but came back to New York in 1992 to record a trio album, Open Changes, with Coleman and Billy Drummond (drums).
He joined the group of Ernest Ranglin, true founding father of Jamaican reggae and met with different music movers such as Samia, Cosmik Connection or Roudoudou.
The band (Flavio Boltro, Gaël Horellou, Minino Garay, Jules Bikoko and Stéphane Huchard) gave more than a hundred concerts in France and abroad.
In February 2006, de Wilde decided to return to the acoustic trio, and invited Laurent Robin (drums) and Darryl Hall (bass) to take a break from those electronics years.
Impressed by the quality of the project, de Wilde agreed and it was the beginning of the magnificent ascension of Abd al Malik who would soon be recognized as the new figure of slam.
Between tours, de Wilde took the time to compare the two worlds he lived in for twenty years, and recorded the encounter of an acoustic piano and a computer.
The album, released in September 2007 (Nocturne), called PC Pieces, takes the form of a small book in which de Wilde describes the long road leading to this object.
Added to the group is videographer Nico Ticot (XLR Project), a true magician of colours and volumes, matches the music with dreamlike precision.
He has also published short stories (Jazz Me Blue, 2009, Au Duc des Lombards, 2010) and participated in the making of a broadcast program for Arte around Thelonious Monk and the book he has written about him.